Mobile spy iphone 8 vs galaxy note

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Is one better than the other? Should you switch operating systems to get better images out of your constant companion? Is it worth it to get one of the bigger, pricier, dual-lens models? We ran extensive tests to help you decide.

mobile spy iphone vs galaxy s8+

There isn't a clear-cut winner in this battle. Each has its strengths and weaknesses, but all are among the absolute finest camera phones you can buy. Apple states that the iPhone 8 Plus uses sensors that are physically larger than its predecessor. This may be true, but it doesn't show in the EXIF data. The main camera is a 28mm equivalent lens, with an actual focal length of 3.

Mobile spy iphone vs galaxy s8+

I took a look at the x-ray photos that iFixit made of the main sensor module in the iPhone 7 and iPhone 8. They're different magnifications, so a direct comparison isn't possible without some resizing. I resized the two images to match as closely as possible in Photoshop, using the outline of the chassis as a guideline, and then overlaid the sensor modules over one another as best as possible. A back-and-forth viewing shows that, if there's a difference in size, it's extremely minor. That's an academic difference at best, but we're still curious as to what iFixit's teardown will show. As far as we can tell, the angle of view of the 8 series and X's main cameras are the same.

That's also true with the 2x lens. You'll notice that the math doesn't work out there for it to be a 2x. That's because the secondary sensor is smaller than the primary. Samsung uses a 4. Its second lens seems to be a little tighter than simply digitally zooming the main lens into its 2x position. Yes, Samsung's main camera has a wider aperture. The difference in f-stops between the 2x lenses isn't negligible, but it's close.

The real advantage the Note 8 holds is that its secondary lens is optically stabilized, while the 8 Plus is not—you'll need to step up to the iPhone X to get dual stabilized lenses. We run a standard array of lab tests on every camera we test, from compacts all the way up to medium format models. There's a test chart to evaluate image noise, and also take a look at how noise reduction effects detail, as well as a standard contrast-based resolution chart to see how crisp a lens is.

Smartphone cameras are a bit different than SLRs, not only because of the tiny lenses and sensors, but also because a lot of the voodoo that goes into their ability to make a photo is based on software. Plus, because you'll likely be posting your latest snapshot to Instagram, Facebook, Snapchat, or the like, image filters are liberally available and applied to photos to give them different looks. So take lab tests for what they are: They're not the be-all, end-all aggregator of what is good and what is bad, especially when you consider that your phone's camera app is simply the first step in a long journey that your images will travel on before they're seen by friends, family, and followers.

We chose to compare the iPhone 8 Plus with the Galaxy Note 8 for a couple of reasons. One, each handset shares a lot of tech with its smaller sibling. Two, they've each got a dual-camera configuration, so they can do thing like capture images with a blurred background and also shoot photos with standard-angle field of view. If you're a fan of small phones, and are trying to make the decision between an iPhone 8 or Galaxy S8, you can just ignore the test images and data from the 2x camera and look at what the single-lens model can do.

If you're thinking about the iPhone X, look to the iPhone 8 Plus results for guidance—image quality and processing is the same. It's also the only way you can be certain you're using the 2x lens when you want to—the standard camera app switches to a digitally zoomed view of the wide lens in dim light.

Apple has put Raw support into recent phones, but doesn't support it with its own software. The Note 8 shoots in Raw if you use the Pro mode in its standard camera app, but you can't use the 2x lens—it only works in Auto mode. And, like the iPhone, if you're using its app in auto mode you'll end up with a digitally zoomed shot at 2x in dim light. The iPhone 8 has a base ISO setting of Both settings are going to be used in bright, outdoor light. A look at the Raw files shows that the Note's larger main sensor is capturing just a little more fine detail, visible in the foliage underneath the silo.

In the real world, it's an essentially negligible difference. The extra sharpening delivered by the Samsung JPG engine delivers a slightly higher sharpness score 3, lines than the iPhone's main camera 2, lines. But when you consider that both are outputting 12MP files that are destined for social networks, the difference is academic.

Raw images are very close as well, with the iPhone showing a little bit more contrast when processed in Lightroom CC with default settings applied. Lightroom does a bit better job removing color noise from the Note 8's DNG output, but otherwise the output is very close. At ISO the output remains close between the two phones. The Note shows a slight edge in detail, and slightly lower noise 1.

Again, the iPhone shows more color noise in its DNG output, but we expect Adobe to improve its processing engine to eliminate it in the future. Aside from the false color, Raw image quality is neck and neck. ISO is the top manual setting supported by the Note 8's camera app.

Its JPG output shows a little bit more detail than the iPhone's main camera, but both are quite blurred. Lightroom removes color noise from the Note's Raw output effectively, and while it's grainy it preserves detail not seen in the JPG. Color noise in the iPhone output wipes away a good amount of detail. We'll have to wait and see how much Adobe can improve its processing when it adds a custom profile for the new phone to Lightroom. The iPhone can be set manually to ISO and Someone on one of the development teams is a Rush fan.

You can't expect decent results from a tiny sensor at such a high ISO. Samsung doesn't give you any ability to use the 2x camera when shooting in Pro mode, which means you can't shoot Raw using the 2x lens. Zooming applies digital zoom, which is an absolute head-scratcher. It also utilizes digital zoom in the automatic mode if light is low enough to push the 2x camera beyond ISO Apple does the same thing in its standard camera app, although it has a higher threshold, switching to the primary camera at ISO This was also the case with the iPhone 7 Plus.

I see some evidence of aggressive sharpening, but it's not egregious. Crisper results translate into a higher Imatest sharpness score as well, 3, lines for the Note versus 2, lines for the iPhone.

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Image output is a lot closer around ISO The Note 8 shows a little more detail, while the iPhone outputs a slightly darker image with more contrast. The Note still has an edge, but it's not a big one. The iPhone output takes a hit at ISO The Note 8 does a little bit better, with more fine detail visible, but again, you'll need to look at photos on a pixel level to really spot the difference. The Note 8's 2x camera drops out of the race at ISO We see increased noise with the iPhone 8 Plus here, further blurring output, but it's still better than what you'd get with a digital zoom applied to an ISO image from the 28mm lens—remember that the secondary lens doesn't gather as much light as the primary.

You'll need to use a third-party app to shoot with the 2x lens at ISO on the iPhone. Detail is wiped away, although with some enhancements to its Raw processing for the phone, I'd expect that you can get slightly better results from processing the DNG. The story is about the same at ISO , the top setting which the iPhone's 2x lens can be used.

Fine detail is blurred, so expect textures to be waxy when shooting JPGs. Color noise is a big issue with the current Raw conversion. We weren't using a manual camera app for the 7 Plus at that time, but it does look like there's some slight improvement in high ISO image quality with the new iPhone 8 model. How much of this is hardware and how much is image processing is in question. Apple's marketing will have you believe that it's night and day; it's not.

If you own a 7, or even a 6s, the improvements in still imaging performance are marginal. The iPhone 8 is a huge step forward if you're still using an iPhone 6, and if you opt for the Plus model, the dual camera is a benefit over any single-lens phone. The Note 8 and S8's main camera is a bigger upgrade over the imager found in the Galaxy S7.

At lower settings we see photos that aren't so aggressively over-sharpened, and at higher ISOs we see less noise reduction applied to JPGs. It's a win-win for Samsung on that front. HEIC's big advantage is more efficient, effective image compression. I also looked at test images on the iPhone's screen and compared them with what I was seeing on my desktop workstation; I was unable to discern the difference.

Lab tests are great if you like looking at test images and numbers. They're useful to tell you how something works, and what it's strengths and weaknesses are, and in extreme situations, a little bit of extra performance can help you get an image that you might not otherwise. In bright light, you shouldn't expect to see much difference between the iPhone 8 or X, Galaxy S8, or Note 8.

But while the Note 8 ended up showing a bit more detail at higher ISOs in our lab tests, I was disappointed to see how it handled shooting a typical scene on a city street at night. The iPhone's main camera left does a better job pulling in highlights in bright signage, and while the streetlights are blown out, they don't show the same type of flare as you get with the Note 8's main camera. Both were shot with automatic exposure. Samsung has a general tendency to overexpose a scene by a little bit, which gives images a brighter feel by default.

We see the same type of flare from the Note in another side-by-side test shot, below. Again, the iPhone is on the left and the Note on the right. If you're the type of phone photographer who uses manual settings, you can work to ensure that the nighttime street shots aren't as bright by adjusting the exposure manually, though we expect that the vast majority of smartphone photographers to rely on automatic exposure.

Both camera apps let you adjust exposure without having to delve into manual settings.

Tap to focus on the iPhone and there's an exposure slider to the right of the focus box. Do the same on the Note and it's at the bottom of your frame. You'll want to learn to use them to dial in brightness to get the most out of your smartphone camera. You can turn a boring, brightly lit shot into something moody and shadowy by lowering exposure, and get better shots of subjects that are in shadow with a strong backlight by using the slider to brighten your image. The iPhone and Galaxy both focus extremely quickly, and the main lens is stabilized on both models.

Galaxy Note8

The secondary lens of Note is stabilized, but the iPhone 8 Plus's 2x optic is not. If you think you'll be using it a lot, especially for video, and are an iOS user, consider spending more and getting the iPhone X, which has dual stabilized rear lenses. Both the iPhone and Samsung flagship models record video at 4K quality. But the iPhone lets you select the frame rate—24, 30, and 60fps capture options are available. The iPhone can do that too. To change video settings with the Note 8 you'll use the camera app, which make sense. To change resolution or frame rate with the iPhone, you must dive into your main Settings app and find the camera page.

It's confusing and doesn't let you vary the look of your video with the ease that I'd prefer. That makes the iPhone a bit more versatile for folks who like the different looks that varying the video frame rate can do. You can shoot at 24fps for a cinematic look, at 30fps to match traditional video, and 60fps for that ultra-smooth fast-action look. And because it does all three at 4K, you have liberal room to crop down to p to get a tighter field of view while maintaining stabilization.

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